Etudes lawrenciennes, n° 39. A plurality of selves and voices

Middleton Murry, Catherine Carswell, and the Boundaries of Memoir Keith Cushman A Singular Response to Sexual Ambiguity : Lawrence's Friendship with E.M. Forster Earl Ingersoll The Plurality of Selves and Voices in D.H. Lawrence's Early Writing : Trespassing the Boundaries Natalya Reinhold Farewell to Romantic Ontologies, Sex, Sacrifice and the Animal Body in D.H. Lawrence's The TrespasserGerald Doherty The Lawrentian Poetic « I » : a voice « with(out) a mask » ? Elise Brault « A strange, unstable equilibrium » : the « shifty devil » of Self and Place in the Letters Oliver Taylor Andre Green's « The Dead Mother » and D.H.  Lawrence's « The Rocking-Horse Winner » Elizabeth Fox Lawrence, Katherine Mansfield and Free Indirect Discourse Neil Roberts The Subversion of Seriousness in Women in LoveStefana Roussenova « 0-1-2 » : Monologism vs. Dialogism in the Political Discussions with Willie Struthers and Kangaroo Shirley Bricout Front Fragmentation to Unity,from Plurality to Singularity : a Futurist Approach to Lawrence Brigitte Macadré John Thomas and Lady Jane on Screen Jacqueline Gouirand Lawrence and the Changing Side of the Triangle - the Gamekeeper -in the Chatterley Novels Nicola Ceramella Changing Perspectives in Sea and SardiniaMarija Kne(...)evi(...)A Prolegomena to the Intertextual Study of D.H. Lawrence and Rainer Maria RilkeMatthew McNeesBathed in the Word of the Lord ? Lawrence, Bunyan and the BiblinePeter Preston